Spector stories are the stuff of legend: He's pulled a gun on everyone from Leonard Cohen to the RamonesOf course, if the jury were filled with rock fans, the character assassination would be unnecessary. Sometimes referred to as "the mad genius of rock," Spector stories are the stuff of legend: He's pulled a gun on everyone from Leonard Cohen to the Ramones, and it's reputed that his antics, and cape-wearing, ruffle-clad persona are the inspiration for the lisping and lethal band manager character "Ronnie 'Z-man' Barzell" in Russ Meyer's camp classic Beyond the Valley of the Dolls. In reality, just weeks before the Clarkson murder, Spector told a journalist with the Daily Telegraph that he was on medication for schizophrenia and "relatively insane." The reputation is one that's loomed over the producer for as long as he's been in the public eye. "If he's found innocent," says Dave Thompson, author of the book, Wall of Pain: the Biography of Phil Spector, "he'll be the new OJ."
For those who haven't been sequestered, Radar offers a more unedited timeline of Phil Spector's "rich history of violence."
1965
Tony Hall, of Decca Records in Britain, recounts to one Spector biographer tales from his "Japanese period," an epoch that sees Spector flanked by five martial arts black belts wherever he goes—recording sessions, night clubs, and in later years, even on-stage ceremonies.
1966
When comedian Lenny Bruce dies of an overdose, a Los Angeles Police Department detective contacts one of Spector's friends, offering to sell some black market postmortem photographs of Bruce with a needle protruding from his arm. Though the friend refuses to buy the images, Spector apparently leaps at the opportunity, shelling out $5,000 for the negatives.
Beyond the death threats, Spector also makes sure his bride is never free of his influence. Apparently, he insists that she place a life-sized inflatable dummy replica of himself in the passenger seat of her car when she leaves the house. He has allegedly planned it out right down to the cigarette he places in its mouth and the angle of the hat. Spector's goal is to prevent other men from picking up on her. The couple—big surprise—divorces four years later. Recently, in a statement to the press, Spector's ex-wife stated: "I can only say that when I left in the early '70s, I knew that if I didn't leave at that time I was going to die there."
1973
During a recording session with John Lennon, the frustrated producer apparently takes a shot at the ceiling of A&M Studios in Hollywood during an altercation with the Beatles' gofer, Mal Evans. To add insult to near-injury, he later absconds with Lennon's master tapes mid-project. Spector biographer Dave Thompson contends that it was Lennon and his friends who were "out of control," saying that "...pulling a gun was the only way Phil could ever get their attention."
CIRCA 1978
In 2003, Spector's sons Gary and Donte tell the tabloid press stories of a childhood filled with sexual and psychological abuse at the hands of their father. Both brothers speak of being held on house arrest, locked in their separate rooms, behind the barbed wire and bars that cover their windows. They are allegedly only permitted to leave their quarters for breakfast and when they are escorted to school by guards.
Gary tells of being blindfolded and sexually molested by his father as a "learning experience," while Donte reports that, at the tender age of nine, he was blindfolded, handcuffed, and forced to simulate intercourse with his father's girlfriend.
1979
Spector is known for extreme methodology in the studio, but he takes the reputation to its limit during the recording of the Ramones' End of the Century, when he makes the band wait eight hours as he mixes a single opening guitar chord for "Rock 'n' Roll High School."
The band is also privy to a behind-the-scenes look at Spector's castle, a fortress surrounded by barbed wire and electric fencing riddled with dead insects, as well as warning signs that read, "Beware of the big dog," and "Achtung Minefield." The former admonishment apparently refers to a St. Bernard that dwells in one of Spector's closets.
During this period, Spector out-punks the Ramones in his usual pistol-packing manner. When bassist Dee Dee Ramone attempts to leave the producer's home, Spector allegedly points a gun at him, saying, "You're not going anywhere, Dee Dee." Then, like a robber holding up a bank, he leads the band over to his piano at gunpoint; ultimately forcing them to listen to him play his hit, "Baby I Love You."
1993
Spector points a gun at girlfriend Dorothy Tiano Melvin, formerly Joan Rivers's manager, on one 4th of July weekend, commanding her to undress. When she refuses, he strikes her and aims the shotgun at her as she tries to run off the property.
CIRCA 1996
Girlfriend Barbara Nichols paints a kinky and dangerous picture of Spector. Prior to their sexual encounters, he apparently takes off his wig and replaces it with a bandana just after injecting himself with performance enhancement drugs. He often dons not one but two condoms. After one tryst, claims Nichols, he whips out his other pistol and threatens, "I could kill you."
1999
Spector moves out of the 90210 zip code and into the significantly less posh 91803—the 'burbs of Alhambra, that is. He buys a three-story, three-acre, $1.1 million mansion on S. Grand View Drive that is dubbed "Pyrenees Castle." There, in reclusion from the exhibitionism of Hollywood, he is said to live in darkness—curtains always closed—parading around in a Batman costume in the company of a jukebox that plays only his records. Clearly a fashion maven, he is also said to change clothing four times daily and to coordinate his attire with whichever gun he happens to be carrying at the time.
During this period, while at a party in Beverly Hills, Spector is said to have once flicked cigar ash on a man's dog. The man's girlfriend, who witnesses the uncouth gesture, reacts in an offended manner. Spector in turn purportedly points a gun to her cheek and threatens, "What are you going to say now?" before he is escorted off the premises.
2005-2006
Spector sues his former personal assistant Michelle Blaine for embezzlement. The following year, Blaine counter-sues him for over $5 million alleging sexual harassment, among others charges. She claims that he would appear naked in front of her and ask her to find him prostitutes—even once going so far as to invite her to join him and one of his paid girlfriends. Even worse, Blaine is forced into the dreaded role of promoter and publicist, instructed to go to music industry parties and pass out flyers that claim that Spector did not kill Clarkson.