From Borat to Mammy

The top ten stereotypes in cinema history

images/2007/01/borat.jpg
A KAZAKH GETS A NOD FROM OSCAR Borat reporting on the Running of the Jews

After winning a Golden Globe for his performance in Borat, Sacha Baron Cohen—along with co-writers Anthony Hines, Peter Baynham, and Dan Mazer—was nominated yesterday for the Best Adapted Screenplay Oscar. If the notoriously stiff Academy is willing to see the humor in a character who likens Jews to cockroaches, then why can't the Anti-Defamation League?

Hollywood has a long history of racial insensitivity—stereotypes are its stock in trade. But, as with Borat, watchdog groups are too quick to sound the alarm when things get out of hand. Unfortunately for film-goers with less-fragile constitutions, some of the most deliciously offensive characters in cinema have been relegated to the dustbin as a result. Where were the Golden Globes when Long Duk Dong dropped his L's in Sixteen Candles? It just doesn't seem fair. Come with us on a tour of Hollywood's walk of shame, where we gaze, slack-jawed, upon the ten best stereotypes ever captured on film.



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FOREIGN EXCHANGE The Asian community was not pleased with the Donger

Long Duk Dong
From: Sixteen Candles, 1984
Played By: Gedde Watanabe
Groups Offended: Asians, exchange students

Gedde Watanabe's first big screen role was as Chinese exchange student Long Duk Dong in the John Hughes teen romp Sixteen Candles. With his broken Engrish, his belittled sexuality, and his uber-dork hairstyle (bowl cut, parted down the middle), the Donger—though one of the most beloved characters of the '80s—represents one of the most egregious Asian stereotypes on celluloid. The Asian community was not pleased with the depiction, particularly at a time when anti-Japanese sentiment was strong due to the American fear of Japanese corporate takeover, but it doesn't stop us from laughing when we see those clips of Watanabe on VH1 nostalgia-fests parroting his Candles catchphrase, "What's-a happening, hot stuff." Watanabe defended his portrayal of Dong in a 2001 interview with AsianWeek, saying the Donger's motivation is "the American Dream. That's the bottom line." Now that's conviction, especially from a man who has played such label-defying parts as "Asian tourist" in Armageddon.

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