The Iraq Gamble(Continued...)GETTING RICH BY BEING WRONG
FEAR MONGER Goldberg Pre-war position: As Judy Miller pursues freelance projects out in Sag Harbor, doggedly accompanied by the rotting corpse of her career, she likely has much time for rumination. And it's tough to imagine these sessions of thought don't sometimes include spleen toward Jeffrey Goldberg. How did she end up getting screwed by Ahmed Chalabi and the neocons— metaphorically, of course—while Goldberg, who also demonstrated a remarkable willingness to channel their war-enabling disinformation, managed to keep both his job and his reputation? It's a tough task to argue that his work was any less influential in the pre-war debate than hers, or that he was any less of a go-to guy for the Rumsfeld gang. For instance, when Doug Feith had a hard-on about launching military action against Arab terrorists in Paraguay, who stepped forward and wrote the scare piece? Now we have a big special-ops base! And when Chalabi wanted to disseminate a dodgy tidbit about Saddam having a secret evil plan to kill 100,000 Israelis in a single day with bioweapons, was it not Goldberg who duly pimped it to the New Yorker's million discerning readers? It was indeed. Goldberg did this, in fact, in his (in)famous 2002 feature "The Great Terror," which helped create the well-worn media portrait of Saddam as a genocidal lunatic with WMDs on hair-trigger ready to exterminate every hamburger-eating, freedom-loving person in the world. Both Bush and Cheney spoke approvingly of the 16,000-word article and singled it out as a good explanation why a war effort was justified. But the "Great Terror" is a J-school nightmare: bad sources, compromised sources, unacknowledged uncertainties, and the whole text spun through with an alarmist rhetoric that is now either laughable or nauseating, depending on your mood. (How did Remnick let this stuff go to print?) Goldberg floated sketchy theories that the dictator was working closely with Al Qaeda and was so irrationally villainous that he was developing a super-duper WMD from wheat mold that, in the author's words, had "no military value [except] to cause liver cancer, particularly in children." Needless to say, "The Great Terror" hasn't aged well. The New Yorker hasn't made any retractions, but substantial parts of the article are simply hokum. The supposed Al Qaeda link, for instance, rested on the testimony of a drug dealer in a Kurdish prison. When a journalist from a major British newspaper tried to follow up on Goldberg's reporting he quickly determined the source to be "a liar." Career status: Things are going swimmingly. Goldberg, as a staff writer at the New Yorker, holds one of the sexiest jobs in journalism. His stories about the Middle East and other subjects appear regularly in the venerable magazine. His new book is selling briskly on Amazon, and a dedicated signing event was scheduled into the New Yorker Festival. He won a National Magazine award in 2003. And "The Great Terror" was given an Overseas Press Club award—which in its dazzling absurdity rivals former CIA director George Tenet and General Tommy Franks winning Presidential Medals of Freedom. But Goldberg does seem to be getting a bit touchy about his pre-war stances. In a short Q & A with New York magazine, he was asked a gentle question about that supposed link between Saddam and Al Qaeda. "Is that part of the interview?" he fired back. "Okay, fine, if you really want to go into it, the specific allegations I raised have never been definitively addressed by the 9/11 Commission." Get the sense he's ready to move on? |
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